Keys turn both ways

I'm still having trouble getting into graphic novels, so it's sort of funny that I love love loooooved the audiobook version of Joe Hill and Gabriel Rodriguez's Locke & Key. It's also something that got me into listening to more podcasts, which I realize is odd since it is not actually a podcast and if anything it should get me into listening to more audiobooks. But I got used to listening to L&K while I was cooking so when I finished it and needed something else, I turned to podcasts and have been all over Serial and Stuff You Missed in History, (as well as Freakonomics, but I've listened to that on-and-off for awhile).

So I'll focus Locke & Key on the story, since I can't really speak to the art, which I realize is typically a BIG part of graphic novels. Except, of course, I don't want to throw out too many spoilers so let's see what I can manage.

Locke & Key starts with the murder of Rendell, patriarch of the Locke family. Nina and her three kids, Tyler, Kinsey, and Bode move to Lovecraft, MA to Keyhouse, a home that's been in the Locke family for years, in an attempt to put these terrible things behind them. Tyler's depressed, Kinsey doesn't fit in, Nina's started drinking and Bode finds a strange key that seems to let him leave his body.

The kids slowly unlock (ha) the mysteries of Keyhouse and continue to find keys that allow them to do any number of crazy, magical things. The Ghost Key lets you leave your body and float around like a ghost. The Head Key lets you open up your or someone else's head and either put information in or take memories out. There are a ton of keys and it's fun to learn what each one does.

But of course, it's not just kids finding weird keys that none of the adults seem to notice. Someone/something is stalking the Locke family to get the Omega key. It's what Rendell was killed for back in California.

Joe Hill is a horror writer and this falls into that genre, though with a lot of fantasy elements. But the story can and does get pretty violent. It also gets sad at times. I finished up the book while riding on an exercise bike and I think I went the fastest I've even done trying to outrun the feels.

I highly recommend listening to this as an audiobook. Like I said in an earlier post, it's like a radio play with a number of different actors portraying all of the characters and various sound effects used to keep you in the story. Everyone was distinct enough that I never missed speaker tags that are part of a more traditional audiobook. And I liked the story enough I'm thinking of picking up the actual graphic novel, though as a set, if that's an option, please & thank you.

(P.S., don't you love my seasonally appropriate reviews. I'm so good at this...)

Gif rating:

Title quote from somewhere near the end of the series, but since I listened to it I don't really know WHERE it's from.

Hill, Joe. Locke & Key. Audible recording

Is the radio play dead?

Writing radio plays, it seems to me, is a lost art.

Stephen King says that in his intro to the collection of short stories Everything's Eventual. He talks about how he was trying to write a radio play, something along the lines of of Orson Welles' treatment of H.G. Wells War of the Worlds, starting the play as fake news announcements. But he couldn't do it. It was reading more like an audiobook. Which is what lead him to make the above comment. Or in full:

Writing radio plays, it seems to me, is a lost art. We have lost the ability to see with our ears, although we had it once. I remember listening to some radio Foley guy tapping a hollow block of wood with his knuckles...and seeing Matt Dillon walking to the bar of the Long Branch Saloon in his dusty boots, clear as day. No more. Those days are gone.

It seems true. The only time I listen to the radio is the few times I'm in the car (I train it to work and try to walk as much as possible rather than take the car out) and then I tend to listen to music.

So radio no, but I do listen to some podcasts. Serial. Freakonomics. Welcome to Night Vale. Night Vale is probably the closest to a radio play, the type King is talking about, but it still isn't quite the same.

But then I found something that is like King's lost radio play. And oddly enough, it came from his son, Joe Hill.

Kayleigh over at Nylon Admiral posted about how Hill's Locke & Key was currently available as an audiobook for free. For those who don't know, L&K is a graphic novel, so my first reaction to a GRAPHIC novel being made into an audiobook was a confused Britney

but I went with it cos I like free. And it's treated like an audioplay. There are multiple actors playing the different parts. There are sound effects. We're not hearing them tell a story, like the World War Z audiobook does. The characters aren't narrating. It is what I imagine King's radio plays were.

When I first read the Everything's Eventual intro, I was thinking that King is probably right, that the radio play is dead because who's going to sit around listening to the radio again? I'm glad I was wrong.

And seriously, go download Locke & Key because it is FREE until November 4th so you have a few more days.